Behind the Scenes of Primavera is a documentary that reveals what lies behind and within Damiano Michieletto's directorial debut. The idea stems from Tiziano Scarpa's Premio Strega award-winning book, Stabat mater, and, thanks to Ludovica Rampoldi's screenplay, becomes a broader narrative.

CBS bit on Piero Heliczer shooting his film 'Venus in Furs' (they mistakenly call it 'Dirt'). Released by Boo-Hooray as part of their exhibit on Heliczer and The Dead Language Press. Features the earliest known footage of The Velvet Underground. Shots of Angus MacLise on percussion, a bit of Heliczer on sax, interview segments with Jonas Mekas, Stan Brakhage (with a clip of a film he shot of Michael McClure) and Edie Segewick.

A short documentary about the Making Of Hitchcock's "Shadow of a Doubt" (1943).

A documentary about making a film, shot over a week.

Moments before a father's death, all of his family memories are transferred to his son through a dream, from the first ancestor, an Englishman living at the end of the 18th century, to his Brazilian heirs, the protagonists of this story.

PRIMAVERA is a three dimensional film featuring puppets that work in the so called telescope system which tries with the help of stylised images to visually depict the great variety existing in nature, the food chain and variations in the reproduction of different living organisms. The entire film is seen through the eyes of a butterfly larva.

Behind the scenes of the making of MVs and Fan Meetings, where the K-pop group Stray Kids performs and plays around.

A filmmaker goes on the run rather than complete his latest picture in this offbeat comedy from Macedonian auteur Ivo Trajkov. A director (Trajkov) has grown weary of battling his producer for control of his latest project and decides to hit the road, borrowing his girlfriend's auto and stealing the production bankroll from the project's financiers. While at first the director claims to have a grand scheme for his ill-gotten gains, his plans take a serious left turn when he meets a strange young woman and an eccentric hitchhiker.

Berlin, 1920-1930s. A colony of Russian cinematographers is creating film production on a truly Hollywood scale. Hundreds of studios, dozens of "stars", European blockbusters.

João Lucas works at a video store and always ends up revealing the ending of films to customers. After being approached by a girl who always rents the same movie, the two eccentric characters start to argue about the true meaning of the plot and attract each other through their passion for cinema.